6873 / 18210 · Workshop 51 — “A Night in Tunisia”: Pedal Bass, Phrygian-Dominant Color, Afro-Latin Ostinato, Bebop Contrast, and Switching Musical Worlds Without Losing the Form← prev⊞ allnext →
51.58Level 28 — rhythmic sequence through dominant tension
Take three-note motif:
B♭-C♯-E.
Repeat with rhythmic displacement.
The harmony remains A7♭9.
Now rhythmic tension develops while harmonic tension is static.
Then both resolve to Dm.
Powerful.