6851 / 18210 · Workshop 51 — “A Night in Tunisia”: Pedal Bass, Phrygian-Dominant Color, Afro-Latin Ostinato, Bebop Contrast, and Switching Musical Worlds Without Losing the Form← prev⊞ allnext →
51.36Example conceptual bass route
E – G – G♯ – A | C♯ – C – B – B♭ | A – D...
Do not treat every chromatic bass tone as a new chord.
Again:
line first.