6839 / 18210 · Workshop 51 — “A Night in Tunisia”: Pedal Bass, Phrygian-Dominant Color, Afro-Latin Ostinato, Bebop Contrast, and Switching Musical Worlds Without Losing the Form← prev⊞ allnext →
51.24Level 9 — switch to functional jazz harmony
Now we intentionally leave the pedal world.
Practice:
Em7♭5 → A7♭9 → Dm.
Classic minor:
iiø – V – i.
This is completely different harmonic behavior from a long static D pedal.