3444 / 18210 · Workshop 16 — “Autumn in New York”: Chromatic Major-Key Ballad, Borrowed Chords, Secondary Dominants, and Elegant Inner-Voice Motion← prev⊞ allnext →
16.9Why bass comes before reharmonization
If the bass line is awkward, adding sophisticated upper chords rarely fixes it.
Choose the bass journey first.
Then harmonize.