3449 / 18210 · Workshop 16 — “Autumn in New York”: Chromatic Major-Key Ballad, Borrowed Chords, Secondary Dominants, and Elegant Inner-Voice Motion← prev⊞ allnext →
16.14Melody determines inversion too
Suppose melody is E.
You can voice C as:
C/E
if you want bass E.
Or leave C in bass and E on top.
Same chord function.
Different architecture.