3520 / 18210 · Workshop 16 — “Autumn in New York”: Chromatic Major-Key Ballad, Borrowed Chords, Secondary Dominants, and Elegant Inner-Voice Motion← prev⊞ allnext →
16.85The biggest conceptual shift
Earlier, we learned:
“Which chord can I substitute?”
Now the better question is:
Which voice should move, and what harmony naturally results from that movement?
That is the bridge from chord theory to arranging.