3471 / 18210 · Workshop 16 — “Autumn in New York”: Chromatic Major-Key Ballad, Borrowed Chords, Secondary Dominants, and Elegant Inner-Voice Motion← prev⊞ allnext →
16.36Level 16 — delayed tonic
Suppose:
G7 → C.
Bass reaches C.
But keep F in an upper voice.
So tonic arrives with unresolved suspension.
Then:
F → E.
This gives:
harmonic arrival first, emotional resolution second.
Perfect for ballads.