713 / 18210 · Module 16 — Improvisation from Chord Tones: How to Stop “Running Scales”← prev⊞ allnext →
16.22Why scale-only improvisation sounds weak
If you play:
C D E F G A B C
over every chord, technically many notes fit.
But the line does not clearly tell the listener:
now Dm7, now G7, now Cmaj7.
Chord-tone targets do.
That is the difference between playing a scale over chords and improvising through harmony.