401 / 18210 · Module 10 — Seventh Chords: The Language of Jazz, Pop, and Richer Harmony← prev⊞ allnext →
Homework for Module 10
Spend about 30 minutes.
A. Build the five qualities
On C, F, G, D, and A, build:
- maj7
- 7
- m7
- m7♭5
- °7
Do it from formulas rather than memorized shapes.
B. Transform one chord
Starting on C:
Cmaj7 → C7 → Cm7 → Cm7♭5 → C°7
Then do the same on F.
C. Diatonic seventh chords
In C major, play:
Cmaj7 Dm7 Em7 Fmaj7 G7 Am7 Bm7♭5
Then in G major.
D. Major ii–V–I
Practice:
Dm7 → G7 → Cmaj7
Am7 → D7 → Gmaj7
Gm7 → C7 → Fmaj7
Use guide-tone voicings.
E. Minor ii–V–i
Practice:
Bm7♭5 → E7 → Am
Em7♭5 → A7 → Dm
Am7♭5 → D7 → Gm
F. Dominant destination
Play a random dominant seventh and immediately find the chord it wants to resolve to:
G7 → ?
D7 → ?
E7 → ?
C7 → ?
B♭7 → ?
G. Melody application
Take one melody you have already harmonized with triads.
Replace appropriate chords with:
- maj7
- m7
- dominant 7
Keep the melody on top.
Compare with the original triad version.