372 / 18210 · Module 10 — Seventh Chords: The Language of Jazz, Pop, and Richer Harmony← prev⊞ allnext →
10.22Minor 7 is usually softer than dominant 7
Compare:
Dm7
D F A C
with:
D7
D F♯ A C
Only:
F → F♯
changes.
Yet:
Dm7 often functions as ii in C.
D7 strongly wants to go to G.
The third changed the harmonic function.
This is a great example of why thirds matter so much.