9.39Voice-leading a pop progression
Take:
C → G/B → Am7 → Fmaj7
Try RH:
C: E G C
G/B: D G B
Am7: C E G
Fmaj7: C E A
Notice how few notes move far.
Now add melody on top.
This can sound far richer than basic triads.
Take:
C → G/B → Am7 → Fmaj7
Try RH:
C: E G C
G/B: D G B
Am7: C E G
Fmaj7: C E A
Notice how few notes move far.
Now add melody on top.
This can sound far richer than basic triads.