7.35Third pass: bass motion
Suppose your harmony is:
C → G → C
Try:
C → G/B → C
Bass:
C → B → C
Or:
C → C/E → F
Bass:
C → E → F
Or:
C → G/B → Am
Bass:
C → B → A
Suddenly the accompaniment feels composed.
Suppose your harmony is:
C → G → C
Try:
C → G/B → C
Bass:
C → B → C
Or:
C → C/E → F
Bass:
C → E → F
Or:
C → G/B → Am
Bass:
C → B → A
Suddenly the accompaniment feels composed.