16508 / 18210 · Workshop 119 — Writing and Hearing Tension Arcs: How to Control Dissonance, Expectation, Delay, Release, and Emotional Pressure Across an Entire Piece← prev⊞ allnext →
119.179Example
First two cadences:
G7→C on beat 1.
Third:
G7...
beat 1 passes.
C arrives beat 2.
The delay is powerful because:
cadence timing was learned.