16469 / 18210 · Workshop 119 — Writing and Hearing Tension Arcs: How to Control Dissonance, Expectation, Delay, Release, and Emotional Pressure Across an Entire Piece← prev⊞ allnext →
119.140Strong:
G7→C
bass G→C
melody B→C or D→C
metric downbeat.
Multiple layers converge.