13630 / 18210 · Workshop 106 — Composing Bass Lines That Carry the Piece: Root Motion, Counterpoint, Groove, Inversions, Pedals, and Bass as a Source of Harmony← prev⊞ allnext →
106.64Level 51 — common-tone bass versus moving upper harmony
Hold G bass.
Upper harmony shifts from:
C/G
G
E♭/G
Cm/G.
This can blur key boundaries.