13668 / 18210 · Workshop 106 — Composing Bass Lines That Carry the Piece: Root Motion, Counterpoint, Groove, Inversions, Pedals, and Bass as a Source of Harmony← prev⊞ allnext →
106.102Level 87 — controlled dissonance between outer voices
Melody D over bass C:
9th.
Beautiful if supported.
Melody F over bass E:
minor 9th.
Much sharper.
Use intentional dissonance at important moments.