13610 / 18210 · Workshop 106 — Composing Bass Lines That Carry the Piece: Root Motion, Counterpoint, Groove, Inversions, Pedals, and Bass as a Source of Harmony← prev⊞ allnext →
106.44Level 33 — ostinato under changing harmony
Keep bass:
C-G-B♭-G.
RH harmony changes:
Cm7
A♭maj7/C-ish
F7/C-ish
etc.
Bass can remain fixed while harmony reinterprets.