BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
13725 / 18210 · Workshop 106 — Composing Bass Lines That Carry the Piece: Root Motion, Counterpoint, Groove, Inversions, Pedals, and Bass as a Source of Harmony← prev⊞ allnext →

106.159Conceptual application to “Happy Birthday”

Use the public-domain melody and deliberately reharmonize from bass only.

Version 1:

simple roots.

Version 2:

stepwise inversion bass.

Version 3:

chromatic approach into phrase cadences.

Version 4:

tonic pedal first phrase, more active bass later.

The melody remains fixed.

Observe how much emotional/formal character the bass alone changes.