10666 / 18210 · Workshop 88 — Harmonic Memory: How Earlier Chords Change the Meaning of Later Chords, How Repetition Rewrites Function, and How to Make a Listener Hear Long-Range Relationships← prev⊞ allnext →
88.30Level 14 — first cadence weak, second strong
First A section:
Dm7→G7→C6/9 lightly.
Second:
Dm7→G7alt→Cmaj9 with stronger bass.
Third:
delay tonic.
The listener hears the cadence evolve across repeats.