9455 / 18210 · Workshop 77 — Playing *Through* Changes Instead of *On* Changes: Harmonic Landmarks, Guide-Tone Networks, Common-Tone Paths, and Hearing the Form Ahead← prev⊞ allnext →
77.99Apply it to “Mack the Knife”
During a later jazzier chorus, there may be more passing dominants and walking-bass connectors.
Do not let the melody/solo become a chord-symbol checklist.
Identify:
phrase destinations
dominant approaches
modulation point
final tonic.
Treat the rest as routes.
The theatrical sweep remains intact.