9416 / 18210 · Workshop 77 — Playing *Through* Changes Instead of *On* Changes: Harmonic Landmarks, Guide-Tone Networks, Common-Tone Paths, and Hearing the Form Ahead← prev⊞ allnext →
77.60Example
Cmaj7-Am7:
tonic region.
Dm7-Fmaj7:
predominant-ish region depending context.
G7-D♭7:
dominant region.
C:
tonic.
The precise chord labels matter locally.
Region tells the larger story.