BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
9453 / 18210 · Workshop 77 — Playing *Through* Changes Instead of *On* Changes: Harmonic Landmarks, Guide-Tone Networks, Common-Tone Paths, and Hearing the Form Ahead← prev⊞ allnext →

77.97Mini-composition exercise

Write a 32-bar solo étude over a moderately active jazz progression.

Requirements:

  • identify no more than 8 structural harmonic landmarks
  • at least one five-chord passage reduced to a single guide-tone path
  • one secondary dominant treated as an arrow toward its destination
  • one passing diminished receiving only a brief melodic acknowledgment
  • one tritone-sub dominant treated as part of the same larger dominant region
  • one common-tone line surviving three chords
  • one temporary tonicization
  • one motif continuing through that tonicization
  • one phrase that ignores an intermediate tonic cadence
  • one passage where altered tension appears only at the most important dominant
  • one intentional two-bar silence followed by recovery at the next landmark
  • final phrase planned from its destination backward

The étude should feel easier to navigate after reduction than the chord chart initially suggests.