9435 / 18210 · Workshop 77 — Playing *Through* Changes Instead of *On* Changes: Harmonic Landmarks, Guide-Tone Networks, Common-Tone Paths, and Hearing the Form Ahead← prev⊞ allnext →
77.79Level 50 — multiple routes, one destination
Toward C:
G7→C.
D♭7→C.
Fm7-B♭7→C.
Dm7-G7→C.
D-D♭-C bass.
These are different roads.
The destination is the same.
Your melodic phrasing can emphasize the destination more than the route.