6536 / 18210 · Workshop 47 — “Freedom Jazz Dance”: Displaced Accents, Motifs That Refuse the Barline, Quartal Harmony, and Making 4/4 Feel Unstable Without Changing Meter← prev⊞ allnext →
47.99The musicianship upgrade
Earlier:
“Where is beat 1?”
Necessary.
Now:
“I know exactly where beat 1 is, so I am free not to play it.”
That is the real purpose of rhythmic training.
Rules become useful when they give you freedom rather than forcing you to obey them visibly.