6450 / 18210 · Workshop 47 — “Freedom Jazz Dance”: Displaced Accents, Motifs That Refuse the Barline, Quartal Harmony, and Making 4/4 Feel Unstable Without Changing Meter← prev⊞ allnext →
47.13Follow the starts
First motif:
eighth 1.
Next:
Next:
Then it crosses the barline.
The motif does not care.
That is exactly the skill we want.