6534 / 18210 · Workshop 47 — “Freedom Jazz Dance”: Displaced Accents, Motifs That Refuse the Barline, Quartal Harmony, and Making 4/4 Feel Unstable Without Changing Meter← prev⊞ allnext →
47.97Example
Subdivision: stable eighths.
Beat: stable 4/4.
Riff: three-eighth cycle.
Phrase: three bars.
Form: four-bar harmony.
Now four different temporal structures coexist.
Yet everything can remain perfectly organized.
That is advanced rhythmic thinking.