6448 / 18210 · Workshop 47 — “Freedom Jazz Dance”: Displaced Accents, Motifs That Refuse the Barline, Quartal Harmony, and Making 4/4 Feel Unstable Without Changing Meter← prev⊞ allnext →
47.11This is rhythmic transposition
In harmony we transpose:
C major → D major.
Here we are effectively transposing the riff along the time axis.
Same interval pattern.
Different temporal starting point.
A very useful analogy.