5281 / 18210 · Workshop 36 — “Caravan”: Phrygian-Dominant Color, Dominant Pedals, Harmonic Minor, and When a Dominant Chord Becomes the Home Sound← prev⊞ allnext →
36.17Sus versus dominant inside the same modal world
If C is prominent and B absent:
you get:
G7sus-like sound.
If B enters:
dominant identity sharpens.
So you can move:
sus → dominant
without changing bass.
Again:
C → B
is the critical switch.