5275 / 18210 · Workshop 36 — “Caravan”: Phrygian-Dominant Color, Dominant Pedals, Harmonic Minor, and When a Dominant Chord Becomes the Home Sound← prev⊞ allnext →
36.11But here they can become stable colors
Normally:
A♭ over G7 = tension that wants G.
E♭ over G7 = tension/color pointing toward C minor.
But if G is sustained for many bars:
those notes can become part of the persistent modal identity.
This is subtle but important.