2746 / 18210 · Workshop 8 — “There Will Never Be Another You”: Faster Changes, Secondary Dominants, and Thinking in Harmonic Flow← prev⊞ allnext →
8.53Level 28 — secondary dominant as a melodic event
When a secondary dominant appears, emphasize its altered third.
Example:
D7 → Gm.
Play:
F → F♯ → G.
You have just “played the chord change” melodically.
This is far more useful than memorizing another pattern.