2714 / 18210 · Workshop 8 — “There Will Never Be Another You”: Faster Changes, Secondary Dominants, and Thinking in Harmonic Flow← prev⊞ allnext →
8.21Improvisation rule: target the I, not every chord
In:
Fm7 → B♭7 → E♭maj7
you can aim your phrase toward:
G
or:
D
on E♭maj7.
The ii and V become the road into that target.
This is much more musical than playing a separate lick for Fm7, then another for B♭7.