2706 / 18210 · Workshop 8 — “There Will Never Be Another You”: Faster Changes, Secondary Dominants, and Thinking in Harmonic Flow← prev⊞ allnext →
8.13Packet thinking beats chord thinking
At medium swing tempo, you should see:
Am7♭5 D7 Gm
and immediately hear:
minor ii–V–i.
Likewise:
Fm7 B♭7 E♭maj7
means:
major ii–V–I.
This is the syntax.