29.93The arranging lesson
Before adding a new chord, ask:
Could I get the desired motion by moving one existing voice instead?
Sometimes:
C → Cadd9 → C
is enough.
Or:
F → Fm → C
is really one voice:
A → A♭ → G.
This keeps arrangements elegant.
Before adding a new chord, ask:
Could I get the desired motion by moving one existing voice instead?
Sometimes:
C → Cadd9 → C
is enough.
Or:
F → Fm → C
is really one voice:
A → A♭ → G.
This keeps arrangements elegant.