29.61Inner voice as hidden melody
Sometimes the most beautiful line is not the top voice.
Example:
Top note stays G.
Inner line:
E → E♭ → D → D♭ → C.
Bass changes underneath.
The listener may not consciously identify it, but the harmony feels alive.
Sometimes the most beautiful line is not the top voice.
Example:
Top note stays G.
Inner line:
E → E♭ → D → D♭ → C.
Bass changes underneath.
The listener may not consciously identify it, but the harmony feels alive.