BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
1238 / 18210 · Module 23 — Intros, Fills, Turnarounds, Transitions, and Endings← prev⊞ allnext →

Homework for Module 23

A. Five intros

Take one melody and create five intros:

  1. two-bar ii–V
  2. four-bar turnaround
  3. melodic fragment
  4. tonic pedal
  5. dominant pedal

Keep each short.


B. Three-note fills

Play a familiar melody.

Every phrase gap gets a fill of no more than three notes.

Record it.

Then listen for any places where even three were too many.


C. Destination fills

Create fills leading to:

  • C
  • Am
  • Dm
  • G7

Make the final fill note an important chord tone of the upcoming chord.


D. Turnarounds

Practice:

Cmaj7-Am7-Dm7-G7

Cmaj7-A7-Dm7-G7

Cmaj7-A7-Dm7-D♭7

Then return to C.


E. Five endings

End the same tune using:

  1. G7-C
  2. F-C
  3. F-Fm-C
  4. Dm7-D♭7-Cmaj7
  5. Fm7-B♭7-C6/9

Compare the emotional character.


F. Tag ending

Repeat the final phrase three times.

Use:

  1. ordinary harmony
  2. reharmonized dominant
  3. final minor-plagal or 6/9 cadence

G. Intro/ending bookend

Use one motif in the intro.

Bring it back in the ending.

Change only register or rhythm.


H. Complete miniature arrangement

Take one simple tune and perform:

  • intro
  • melody
  • two or three tasteful fills
  • one richer repeated section
  • turnaround
  • final tag
  • ending

Record the whole performance without stopping.

That is the important assignment.