23.75Turnaround as bass fill
At the end of a phrase:
C → B → A → G
with chords:
C → G/B → Am → G
then perhaps:
F → G7 → C
The bass itself keeps the performance moving.
At the end of a phrase:
C → B → A → G
with chords:
C → G/B → Am → G
then perhaps:
F → G7 → C
The bass itself keeps the performance moving.