BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
137 / 18210 · Module 5 — Harmonic Function: Tonic, Predominant, Dominant, and Why Chords “Want” to Go Somewhere← prev⊞ allnext →

5.15Voice leading explains why ii–V–I works so well

Dm7:

D F A C

D F A C

G7:

G B D F

G B D F

Cmaj7:

C E G B

C E G B

Focus only on:

Dm7:

F C

F C

G7:

F B

F B

Cmaj7:

E B

E B

Look:

C → B

then stays B

F stays F

then F → E

Very smooth.

Functional harmony and voice leading reinforce each other.