137 / 18210 · Module 5 — Harmonic Function: Tonic, Predominant, Dominant, and Why Chords “Want” to Go Somewhere← prev⊞ allnext →
5.15Voice leading explains why ii–V–I works so well
Dm7:
D F A C
G7:
G B D F
Cmaj7:
C E G B
Focus only on:
Dm7:
F C
G7:
F B
Cmaj7:
E B
Look:
C → B
then stays B
F stays F
then F → E
Very smooth.
Functional harmony and voice leading reinforce each other.