17546 / 18210 · Workshop 123 — Composing Outside Your Comfort Zone: How to Write in Unfamiliar Keys, Modes, Meters, and Tempos Without Losing Your Musical Identity← prev⊞ allnext →
123.194Level 103 — transpose style principle, not literal chord
Suppose original climax uses:
D♭7→C.
The principle:
chromatic dominant approach from semitone above.
In F:
G♭7→F.
Not:
some fixed chord shape.