17368 / 18210 · Workshop 123 — Composing Outside Your Comfort Zone: How to Write in Unfamiliar Keys, Modes, Meters, and Tempos Without Losing Your Musical Identity← prev⊞ allnext →
123.16Key is partly orchestration
A melody in:
C
versus:
F♯
may occupy different physical/register relationships on piano.
The pitch-class relationships are same.
But resonance changes.