BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
10775 / 18210 · Workshop 89 — Independent Clocks at the Piano: Separating Bass Time, Chord Time, Melody Time, and Phrase Time Without Losing the Groove← prev⊞ allnext →

89.25Level 14 — melody busy, accompaniment sparse

Melody:

eighth-note phrase.

Bass:

quarters.

RH chords:

perhaps only one or two per bar.

Do not “shadow” every melodic rhythm with chord attacks.

That is one of the fastest ways to make piano sound heavy.