BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
10885 / 18210 · Workshop 89 — Independent Clocks at the Piano: Separating Bass Time, Chord Time, Melody Time, and Phrase Time Without Losing the Groove← prev⊞ allnext →

89.135Mini-composition exercise

Write a 32-bar solo-piano study where rhythmic independence is the primary compositional idea.

Requirements:

  • first 4 bars establish a clear shared pulse
  • bass and chord attacks must separate noticeably by bar 5
  • one passage with walking quarter-note bass and sparse offbeat comping
  • one passage with sustained melody over independently moving inner harmony
  • one passage where bass announces a harmonic change before RH
  • one where RH anticipates bass
  • one melody phrase beginning on 4&
  • one phrase continuing across a formal 8-bar boundary
  • one bar with no chord attacks at all
  • one bar with no bass
  • one intentionally synchronized ensemble hit
  • one section with three distinct articulations: bass, inner comp, melody
  • one 3-against-2 or 3-beat-vs-4-beat independence effect
  • one two-beat silence where internal time must continue
  • final cadence must resolve in stages rather than all parts simultaneously

The piece should sound as if:

several musicians are listening to one another while sharing one body.