9563 / 18210 · Workshop 78 — Upper-Structure Voice Leading in Motion: Keeping Rich Extensions Smooth Across Chords Instead of Treating Each Voicing as a Separate Shape← prev⊞ allnext →
78.97Apply it to “Mack the Knife”
For the later jazz chorus:
walking bass may already be active.
So keep RH compact.
Use:
- nearest-guide-tone shells
- one altered top-line motion at important cadences
- tritone substitution with minimal RH movement
- blocks only at selected climaxes
The sophisticated sound should come from voice-leading, not from giant hand jumps between exotic chord shapes.