BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
9563 / 18210 · Workshop 78 — Upper-Structure Voice Leading in Motion: Keeping Rich Extensions Smooth Across Chords Instead of Treating Each Voicing as a Separate Shape← prev⊞ allnext →

78.97Apply it to “Mack the Knife”

For the later jazz chorus:

walking bass may already be active.

So keep RH compact.

Use:

  • nearest-guide-tone shells
  • one altered top-line motion at important cadences
  • tritone substitution with minimal RH movement
  • blocks only at selected climaxes

The sophisticated sound should come from voice-leading, not from giant hand jumps between exotic chord shapes.