9229 / 18210 · Workshop 75 — Intervallic Improvisation: Fourths, Fifths, Wide Leaps, Octave Displacement, and Making Modern Lines Sing Without Losing the Harmony← prev⊞ allnext →
75.96Ear Drill — wide leap with good versus weak target
Over G7:
leap onto B.
Then try a random nonstructural landing and hold it.
Compare.
The target note should dramatically affect whether the leap sounds purposeful.