9233 / 18210 · Workshop 75 — Intervallic Improvisation: Fourths, Fifths, Wide Leaps, Octave Displacement, and Making Modern Lines Sing Without Losing the Harmony← prev⊞ allnext →
75.100Apply it to “Happy Birthday”
Because it is public domain, we can be freer.
Keep the structural melody recognizable.
On a repeat:
- preserve phrase beginnings
- displace one connecting note by octave
- add one wider approach into phrase 3 climax
- use a fourth-based fill between phrases
- return to the plain melody at the ending
The result sounds like a true paraphrase rather than reharmonization alone.