6734 / 18210 · Workshop 50 — “Nefertiti”: Repetition as Development, Harmonic Motion Under a Fixed Theme, Metric Ambiguity, and Learning to Change the Background Instead of the Melody← prev⊞ allnext →
50.6Level 3 — bass becomes the reharmonization engine
Try:
C → B → B♭ → A.
Keep the four-note melody unchanged.
Now the background creates chromatic motion.
The melody acts like a stable object floating above a moving floor.