6753 / 18210 · Workshop 50 — “Nefertiti”: Repetition as Development, Harmonic Motion Under a Fixed Theme, Metric Ambiguity, and Learning to Change the Background Instead of the Melody← prev⊞ allnext →
50.25Level 14 — pedal-point variation
Keep bass C for several repeats.
Change upper harmony:
Cm
D♭/C
B♭/C
Fm/C
G7sus/C-ish colors.
The melody remains fixed.
Now repetition becomes modal/upper-structure exploration.