6751 / 18210 · Workshop 50 — “Nefertiti”: Repetition as Development, Harmonic Motion Under a Fixed Theme, Metric Ambiguity, and Learning to Change the Background Instead of the Melody← prev⊞ allnext →
50.23Another inner line
G → G♭ → F → E.
If melody contains G at some point, avoid collision or use deliberately.
The important idea:
one chromatic middle line can make repeated melody sound newly harmonized each time.