5631 / 18210 · Workshop 39 — “Watermelon Man”: Blues-Funk Vocabulary, Dominant Vamps, Riffs as Harmony, and Making Repetition Feel Inevitable Instead of Boring← prev⊞ allnext →
39.61This is a good mature-theory example
There is not always one “correct” label independent of context.
Ask:
Am I describing a blues melodic gesture?
Then ♭3.
Am I voicing an altered dominant chord?
Then ♯9 may be useful.
Theory serves the task.