5630 / 18210 · Workshop 39 — “Watermelon Man”: Blues-Funk Vocabulary, Dominant Vamps, Riffs as Harmony, and Making Repetition Feel Inevitable Instead of Boring← prev⊞ allnext →
39.60Level 33 — ♯9/♭3 relationship
This terminology depends on context.
Over F7:
A♭ may be heard melodically as:
blue ♭3
or enharmonically as an altered ♯9-type dominant color.
For blues playing, ♭3 is usually the more intuitive melodic concept.
For chord-extension analysis, ♯9 can be useful.
Same piano key.
Different conceptual lens.