5618 / 18210 · Workshop 39 — “Watermelon Man”: Blues-Funk Vocabulary, Dominant Vamps, Riffs as Harmony, and Making Repetition Feel Inevitable Instead of Boring← prev⊞ allnext →
39.48Do the same with E♭→E over C7
On functional dominant C7:
E♭→E
moves blue/minor-3 color into the chord's major 3rd.
Then E→F at tonic.
So:
E♭→E→F
creates a beautiful chromatic line.